The third movie in what has been called his paranoia trilogy,* John Frankenheimer’s 1966 Seconds is an angry, menacing film that scowls at the very American idea of starting over and shoves the probable reality of that decision in our faces. Several times now I've seen this masterpiece, and although it'll never be as exciting as the first due to knowing the conclusion, Seconds remains an extraordinary, mind-exhilarating film. Follow him at: Tagged as: I won't give away the plot but it helps if you are in the right mood for this type of film as it is not always an easy watch. Criterion Collection: Friends of Eddie Coyle [DVD]  [Region 1] [US Import] [NTSC], House [Hausu] Masters of Cinema [DVD] , Twilight's Last Gleaming (1977) (Masters of Cinema) Dual Format (Blu-ray & DVD), Youth of the Beast (Criterion Collection) [DVD]  [Region 1] [NTSC], Klute (1971) DVD Region 2 Spanish Import Plays in English. Then radical surgery will alter his looks, his voice, his fingerprints, and even his signature to the point where his most intimate friends—not that Arthur has any—will fail to recognize him. Excellent movie! Apparently Brian Wilson arrived late to the theatre one night in 1966 during recording sessions of Smile and heard "Come in Mr. Wilson ", believing it was all about him he stopped recording sessions for the next few decades.
A secret organization called The Company is alerted to the situation of a middle-aged banker Arthur Hamilton (John Randolph) in an unhappy marriage who feels empty.
It is a shallow philosophy and not worthy of a great people.
In Changing Faces, a new serie…, New, restored 4K digital film transfer, with uncompressed monaural soundtrack on the Blu-ray edition, Audio commentary featuring director John Frankenheimer, New program on the making of the film, featuring interviews with Evans Frankenheimer, the director’s widow, and actor Salome Jens, New visual essay by film scholars R. Barton Palmer and Murray Pomerance, English subtitles for the deaf and hard of hearing, PLUS: A booklet featuring an essay by critic David Sterritt.
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In verity, I'm an overt fan with perpetual praise for this cinematic tour de force.
The astonishing finale carries the story’s logic to its ultimate conclusion, packing as strong a narrative wallop as anything Frankenheimer ever created. Whether or not the original print was deliberately sharp in some places and quite grainy in certain scenes, I'm not sure - this may have been intentional or not, I just don't know.
From the bold, bizarre best-seller.
seconds, Previous post: Rejoice! Our payment security system encrypts your information during transmission. My first experience with John Frankenheimer was Seconds (1966) years ago when it aired late on the AMC channel. To anyone who is of a nervous disposition: don't be so silly! 2013, This shopping feature will continue to load items when the Enter key is pressed. Convinced that the Company has botched his case, he starts complaining and acting out in ways the other reborns—they’re everywhere, he belatedly learns—can’t tolerate. The same can be said of many other scenes. Eric goes to 11. Every shot and scene unfolds with the inexorable (il)logic of a nightmare—but a lucid nightmare, since Frankenheimer’s fierce intelligence is at work along with his filmmaking skills. For a hefty fee, the Company will stage a bogus death for him by arranging an “accident” with an unidentifiable corpse in his place.
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