benny golson

Main character Viktor Navorski (Tom Hanks) travels to the US from Europe to obtain Golson's signature; Golson was one of seven musicians then surviving from the photo, the others being Johnny Griffin (died 2008), Eddie Locke (died 2009), Hank Jones (died 2010), Marian McPartland (died 2013), Horace Silver (died 2014), and Sonny Rollins. . [6], In 1995 Golson received the NEA Jazz Masters Award of the National Endowment for the Arts. [6], In 1995 Golson received the NEA Jazz Masters Award of the National Endowment for the Arts.

Awards: Down Beat magazine New Star award, 1960 (with Jazztet). Saxophonist. Contemporary Musicians. Arranged for Howard University band, late 1940s, performed in Philadelphia jazz scene, early 1950s; performed with the bands of Bull Moose Jackson, Johnny Hodges, Earl Bostic, Dizzy Gillespie and Art Blakey’s Jazz Messengers, 1955; composed, recorded albums, and freelanced, 1950s-90s; co-led the Jazztet with Art Farmer, c. 1959-61; scored films and television c. 1960s-70s; performed solo and with reformed Jazztet, 1981-82; appeared in film A Great Day in Harlem, 1995. Although I’m not consciously looking for it, maybe I want something that’s easy to remember…. In 1957 he recorded his first album as a leader. Bassist, composer Composer, arranger, bandleader, pianist After trumpeter Miles Davis (at Coltrane’s suggestion) recorded Golson’s tune “Stablemates,” Golson found his compositions in demand among modern jazz musicians. at the Newport Jazz Festival and during a Bandstand USA broadcast fromN.Y/s Birdland; it was subsequently broadcast widely. Benny Golson is without question jazz's most significant living composer. Benny Golson is a talented composer/arranger whose tenor playing has continued to evolve with time. [3], From 1959 to 1962 Golson co-led the Jazztet with Art Farmer. “Other than Quincy, the rest of us just got things that were sort of left over,” Golson told the Pittsburgh Post–Gazette. [5] In 1982 Golson re-organized the Jazztet. Golson composed the standard “I Remember Clifford” as an homage to his friend. I’d like to write melodically, and pretty harmonically…. From 1953 to 1959 Golson played with Dameron's band and then with the bands of Lionel Hampton, Johnny Hodges, Earl Bostic, Dizzy Gillespie, and Art Blakey and the Jazz Messengers with whom he recorded the classic Moanin' in 1958. ." “When she got to mine, after the first chord resolved to the second, that red pencil made a big X, and then she made another red X at the next resolution.

Jazz Journal International, December, 1982; January, 1983. Benny Golson Is A Member Of . Profil: American bebop/hard bop jazz tenor saxophonist, composer, and arranger, born in Philadelphia, PA on January 25, 1929.

Most Popular #133187. Critic Scott Yannow of Allmusic wrote that Golson's sax style underwent a major shift with his performing comeback, more resembling avant-garde Archie Shepp than the swing-era Don Byas influence of Golson's youth. Tom Hanks. (With Art Farmer), Modem Art, Blue Note, 1958. Aquarius Saxophonist #6. While in high school in Philadelphia, Golson played with several other promising young musicians, including John Coltrane, Red Garland, Jimmy Heath, Percy Heath, Philly Joe Jones, and Red Rodney. ." In 1965, after returning from Europe, he put away his saxophone and moved to Hollywood. . “That was aberrational in my neighborhood,” he told Down Beat. In 1987 the State Dept. Additional information provided by the video, A Great Day in Harlem, 1995. After hearing things like ‘Our Delight’ and ‘Lady Bird’… I wanted to do more than play tenor sax. Violinist, bandleader Cook, Richard and Brian Morton, The Penguin Guide to Jazz On CD, LP, & Cassette, Penguin, 1994. Jazz composer ("I Remember Clifford", for the late jazz trumpeter Clifford Brown), conductor, saxophonist and arranger, educated at Howard University. Baker’s Biographical Dictionary of Musicians. In 1958 Golson joined Art Blakey’s Jazz Messengers, a modernistic ensemble that pushed Golson’s own playing in a sharper and less mellifluous direction. “It was epochal, what was happening then.” Golson began to develop a personal sax style that combined the warmth and fluidity of the older players with elements of Parker’s harmonic adventurousness. Main character Viktor Navorski (Tom Hanks) travels to the US from Europe to obtain Golson's signature; Golson was one of seven musicians then surviving from the photo, the others being Johnny Griffin (died 2008), Eddie Locke (died 2009), Hank Jones (died 2010), Marian McPartland (died 2013), Horace Silver (died 2014), and Sonny Rollins. Several distinguished jazz artists have received this award.

Saxophonist Born in Pennsylvania #6. In addition, he has expressed himself in a variety of musical settings. Scene (1957); Modern Touch (1957); Gone with Golson (1959); Gettin’ with It (1959); Take a Number from 1 to 10 (I960)’, Meet the Jazztet (1960); Turning Point (1962); Reunion (1962); Pop + Jazz = Swing (one channel plays the standard, the other the original based on it; 1962); Just Jazz (1962); Free (1962); Stockholm Sojourn (1964); Turn In, Turn On (1967); Killer Joe (1977); California Message (1980); One More Mem’ry (1981); Time Speaks (1982); This Is for You, John (tribute to Coltrane, 1983); Moment to Moment (1983); Live (1991); Up Jumped Benny (1996); Tenor Legacy (with H. Ashby, J. Carter, B. Marsalis; 1997); 40 Years ofB. Golson then left jazz to concentrate on studio and orchestral work for 12 years. Golson is known for co-founding and co-leading The Jazztet with trumpeter Art Farmer in 1959.

[1] He came to prominence with the big bands of Lionel Hampton and Dizzy Gillespie, more as a writer than a performer, before launching his solo career. Since 1995 he has been musical director and member of the all-star saxophone repertory band, Roots, which toured extensively in Europe and has recorded four albums. He attended and graduated from Howard Univ. Pittsburgh Post–Gazette, November 5, 1993, p. 18. (With Dizzy Gillespie), At Newport, Verve, 1957. Golson then left jazz to concentrate on studio and orchestral work for 12 years. (With Philly Joe Jones), Drums around the World, Riverside, 1959. Jazz Messengers!!!!! An iconoclastic visionary, jazz bassist, composer, and pianis…, Whiteman, Paul First Name Benny. (With Clifford Brown), Clifford Brown Memorial, Original Jazz Classics, 1953. Although there’s some nostalgic things, like ‘Whisper Not’… I’ve written a lot of new tunes, and we’ve moved away somewhat from the hard, straight-up-and-down, strict harmonic kind of approach.”. gives you the ability to cite reference entries and articles according to common styles from the Modern Language Association (MLA), The Chicago Manual of Style, and the American Psychological Association (APA). In 1956 Benny Golson joined trumpet player Dizzy Gillespie’s band, accompanying them on U. S. State Department sponsored tours, until 1958, when he became a member of Art Blakey’s Jazz Messengers. Therefore, be sure to refer to those guidelines when editing your bibliography or works cited list. Songs such as "Stablemates", "Killer Joe", "Whisper Not", "Along Came Betty", and "Are You Real?"

Since 1989, he has lectured at William Paterson Coll. ." “At the time of his death”, Golson reminisced in 1961 in Down Beat, “Brownie was going in his direction more determinedly than anyone I’ve ever seen. Orch. Benny Golson (born January 25, 1929) is an American bebop/hard bop jazz tenor saxophonist, composer, and arranger. When he was asked by the Irish Times whether he considered his composing or performing activities more satisfying, Benny Golson responded that “It’s like having two wives. He also scored specials for the BBC in London and feature films in Paris and Munich.

Jazz pianist, arranger, composer He also formulated and conducted arrangements to various recordings, such as Eric Is Here, a 1967 album by Eric Burdon, which features five of Golson's arrangements, conducted by Golson. As a musician and com…, Kenton, Stan In 1957 his “I Remember Clifford” was performed by the Gillespie Orch. Benny Golson, Soundtrack: Pawn Sacrifice. . The enthusiasm of the audiences has been very encouraging for us—it gives us some incentive to go on in that same direction.”, The Jazztet was not revived merely for nostalgia’s sake.

“Image not available for copyright reasons” Blakey stimulated Golson’s own compositional creativity as well, and many of his originals from this period, including “Blues March” and “Along Came Betty,” are regarded as jazz classics. Beauty can be simple, beauty can be simplicity.” Down Beat critic Ralph J. Gleason confirmed the appeal of Golson’s compositions, “What is attractive about Golson’s writing, of. Golson was working with the Lionel Hampton band at the Apollo Theater in Harlem in 1956 when he learned that Clifford Brown, a noted and well-liked jazz trumpeter who had done a stint with him in Dameron's band,[2] had died in a car accident. Tune In, Turn On to the Hippest Commercials, Verve, 1967.

[citation needed], In 1999, Golson was awarded an honorary doctorate of music from Berklee College of Music. In the mid-1940s he sat in on sessions on Philadelphia’s Columbus Ave; here he jammed and gigged (from 1945) with John Coltrane, Jimmy Heath, Philly Joe Jones, Percy Heath, Red Garland, and Red Rodney. That led to slots in Dameron’s band and that of vibes master Lionel Hampton in 1953 and 1954. “I’m still stretching and striving,” he told the Pittsburgh Post–Gazette —and really, he had never stopped. Golson's song "Something in B Flat" (from the album Benny Golson's New York Scene) can be heard during a scene where Viktor is painting and redecorating part of an airport terminal; in a later scene, Golson's band performs "Killer Joe".

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